A commission by the wood carver Gerhard
Maier for his exhibition of 1000 handmade wooden combs plus a heap of resulting
shavings, or, as he would see it: a heap of handmade wood shavings plus 1000 combs
resulting on this occasion.
The primary task for the music was to refer to Gerhard Maier's living and working
situation in his atelier in a former railway-station for horse-drawn carriages,
which nowadays is a museum aside a highly frequented cross-country road connecting
Linz with Prague.
The composition makes use of the advanced methods
around the so-called Fourier Transformation. It begins with a parody on the morning-traffic
on a cross-country road and ends up with the screaming of two million frequencies evoked by
a few roaring glissandi.
computer music (1996)
original sources : hd 16bit (8/16/32kHz) 2-ch
mastered on analog tape 1/2" 15ips stereo
basic material : frozen spectra of various sounds[1,2]
double bass sounds [2]
recordings of demolition works, water pipes [2,3]
methods : numerical convolution, movement simualtion, algorithmic composition
tools : NMS4, FFTBOX
produced at the composers studio, Rastenberg, Austria
release supported by : Stadt Linz, SKE-Fond